• Director’s Notes: Interview with Ian

    For “YKLS ROCKS!” director Ian Chow, this will be his fourth performance outing with the community choir,  ever since he first mustered enough courage to pick up the phone to book a slot for auditions back in 2002.

    Since then, Chow has produced or been on the advisory committee for almost all YKLS productions, and even stage-managed a few.

    Some productions which have stood the test of time for Chow include “Through the Barricade” (2004), performing excerpts from Les Misérables and Miss Saigon musicals; “Beat It, Sing It” (also 2004) a high energy performance singing ethnic music with a 3-piece percussion backing; and “Together As One” (2010), which had YKLS members from different walks of life singing songs from different faiths and religions.

    The last one, Ian recalls, was pretty groundbreaking in 2010. If the choral production was not handled well, it could have drawn lots of flak due to the sensitivity of the repertoire.

    All three, perhaps unsurprisingly, were not directed by him.

    “Possibly, as a director, after the production finished, I always feel there are numerous things that I could do better hence always felt that something is lacking and not my best.

    “Meanwhile, as a performer or a producer, I see things differently and possibly not too critical on the artistic side hence easier to satisfy my expectations (mind you, my top three productions has high artistic and production values as well),” said Chow.

    Working with YKLS has been a very different experience from working with another theatre or performance group, regardless of the role, Chow said, due to the group’s composition and the fact that YKLS is both a community choir and a choral course the members are learning.

    “Hence, in terms of commitment level and skill, it can make me vomit blood at times. But always, what drives me is the end-product. That is always magical and what kept me going, I always try to push the limit and set a substantial amount of ground rules/discipline within the group.

    “Because at the end of the day, the individual gain something positive by joining YKLS and the brand gain positive awareness or popularity,” Chow explained.

    For every production, Chow tries a different approach to keep it from being boring, especially for returning members, and even himself.

    Hence for this year’s “YKLS ROCKS!”, Chow, Artistic Director Susanna Saw and Music Director Mak Chi Hoe decided to go with two contrasting halves of the show, resulting in a more interactive production from the choir members and even the audience.

    “We wanted to devise it together with the members, and audience participation in a big way. After a lot of brainstorming, debate and wasted paper, you may not believe this nearly ended up as a two-week concert to showcase both halves before we felt it was both too ambitious and taxing for the members,” said Chow.

    This will also be YKLS’s first time working with a full rock band, which was a conscious decision when the directors and producers decided on the rock theme for 2017.

    “It was a conscious decision from day one, and we didn’t even think much about the cost or sound balance back when we first discussed it, but we were adamant this had to be one component we cannot omit out. Otherwise, what’s a rock concert without a full band?”

    “Plus we were ‘tired’ with the conventional one piano accompaniment, what a boring way to celebrate our 15th anniversary,” Chow joked.

    Despite the different styles of work, temperament and ideas from YKLS’s members, the 15th anniversary production has been a breakthrough and successful attempt in getting out of one’s comfort zone for Chow and the production members.

    “YKLS ROCKS”, despite its teething problems, has also been a source of strength for Chow as family tragedy struck half-way through the rehearsals period.

    “Particularly for this 15th anniversary, to be able to be part of it, in a lot of way has been a blessing for me. Some of you may know that half way through the rehearsal process, I actually lost my brother due to brain tumour. We found out over the weekend and two days later, he was gone.”

    “Things were of course pretty morbid back home. Attending rehearsals and being able to work creatively with the members certainly helped through these difficult times. It is almost an outing that I look forward to every week in order for me to stay sane, strong  and fit for my family (especially my mother)….it rejuvenated me,” Chow explained.

    Even so, Chow and his colleagues have already conceptualised the production for next year.

    “I may not be involved directly with it, but if you thought the 15th anniversary is mad, wait till you see the 2018 production. It will be crazy!!!!!”

    by Vincent Tan

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  • That’s it. Period.

    It’s Friday, folks! Let’s help you hurry in the weekend with a bit of random stuff about one of the YKLS productions (ok admittedly we were going through some old videos and hey let’s choose this).

    YKLS Period! In 2013!

    • After being with Young Choral Academy (and assistant music director for the YKLS) for yonks, this was the year Tracy headed off to Toronto in August to do her Masters, and bring a taste of cili padi to the Canadians.
    • Chi Hoe recently came back from the UK (gosh 7 years!) and was musical director for this production, bringing back a taste of European musical culture (evident in this production!).

    And I come to you now, at the turn of the tide

    • This is probably the only YKLS concert where all the music is public domain. That means you can find it at our YouTube channel (or, just it watch below)!
    • We’ve brought the show to Penang! Not the first time, though – that was Together As One back in 2009.


    • Speaking of performing in Penang, some of us stayed in the provided accommodations, some decided to stay in hotels. There was a supernatural experience at one of those hotels for some members – if we recall correctly it got curious at what the members tapau’ed back to the room.
    • Chi Hoe asked members to look for sonnets that they’d like to perform to incorporate into the production asides from the repertoire he’d already picked out.
    • Latin. French. German. English. Medieval English. Italian. Spanish. Languages we learnt to sing in this time.
    • During the concert week, post-concert a bunch of us would head to the tai chow (Sun Yau Tak Teng?) at Damansara Uptown for dinner. What started off with probably 3 tables joint together on Thursday night ended up with 5-6 tables for 28 people (almost all the choir members!) by Saturday night!

    And… that’s it for now. Period. Full stop. Go enjoy your weekend!

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  • Join Choir, Live Longer!

    Well, at least that’s true for a group of people participating in a choir in a Connecticut town, as found in the results of a joint study by Harvard and Yale Universities (2008). If that’s not enough to convince you, this article from CMUSE gives you a few more reasons to join choral singing.

    1. Strengthen feeling of togetherness. In today’s increasingly “me first” society, it is nice to find a tribe to belong to.
    2. Regulate heart rate. Fun fact – did you know that when a choir sings, the members’ hearts beat in unison? Reducing the variability of your heart rate can be good for your health.
    3. Reduce stress levels and depression. Group singing helps boost levels of oxytocin, which is a great stress-buster. Just what you need after a hectic day at work!

    The Young KL Singer’s 2017 season is starting on 9th Jan 2017, and boy, do we have an exciting year planned ahead! We look forward to welcoming new members to our group. Auditions are available for all male and female voice parts. Contact us for audition details!

    By: Edlyn Khoo


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  • YKLS Does The Bard

    This year, the Young KL Singers joined the arts and literary world in paying tribute to William Shakespeare, as part of a global celebration of his life and works 400 years after his death. A special collaborative project between YKLS and The Actors Studio, “YKLS Does The Bard” was held from 3rd to 6th Nov 2016 at Pentas 2, KLPAC. In a very intimate and contemporary cabaret-style setting, we presented 15 choral settings of Shakespearean text which explored the universal themes of life, love and loss. In between the music, our members shared personal reflections and stories based on the themes portrayed in the songs.

    tl;dr: Shakespeare raw and uncut, live and unplugged.



    Pic credit: Aldwin Lee


    Pic credit: Sha (KLPAC)


    Pic credit: Sha (KLPAC)


    Pic credit: Aldwin Lee  

    Written by: Edlyn Khoo 
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  • YKLS Christmas Countdown: 1 Day

    It’s one more day to the show! We’ve got an exciting line-up and fine-tuning it in preparation for tomorrow!

    And you’ll have the opportunity to take a bit of time off from Christmas shopping with the masses (unless you’ve already completed your Christmas shopping,  which then we’ll say, “Well done, you!”), come to Ruang, relax and be entertained, have a bite to eat and mingle, then when you’re fully recharged, head back to continue your Christmas shopping!

    In case you’re wondering where Ruang is located, here’s a map to get there!

    Ruang location

    As Ruang is located outside among the shoplots, we would advise that you come early to scout for parking spots. Don’t worry, YKLS members will be carpooling to free up bays for you!

    We’ll be seeing you tomorrow!

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